Showing posts with label Scribner's. Show all posts
Showing posts with label Scribner's. Show all posts

Saturday, March 12, 2011

Hard to find Sidney Chase






Sidney Chase (1877-1957) is a lesser known Brandywine Alumni. I first found Chase's work combing through century old issues of Scribner's Magazine, and then found his name again, while reading about N. C. Wyeth.

Chase was originally from Massachusetts, near Boston. While attending the Eric Pape School of Art, around 1900, he met a few fellow students that would rise to the challenges of being accepted as students of Howard Pyle—Among them was N. C. Wyeth— with whom he wrote to regularly over the years.

Most of the information I was able to find on Chase, is due to his friendship with Wyeth. As Wyeth struggled to find his place somewhere between the art museum and the illustration assignment, he had less and less respect for his fellow classmates who embraced illustration without reserve. Very few of them earned his regard. Sidney Chase was one of the few that Wyeth maintained some degree of respect and friendship for.

Looking over this set of pieces done for an article in a 1908 issue of Scribner's Magazine , it is easy to see that the work deserves some amount of respect either way. This kind of coastal Maine life was a favorite subject of Chase's— and would come to be one of Wyeth's as well- around 1920 Wyeth and Chase split the cost of a house in Maine, where both would go for years in the future to find inspiration for painting.

Chase went on to achieve fair commercial success, getting work from the larger magazines of the day, sometimes (as with this story on Maine fishing) as author-illustrator. Like Wyeth, he later turned away from illustration, looking to find a deeper meaning and satisfaction in painting. Chase did mostly watercolor work later in his career.

At the end of his life in 1957, Chase had left wishes that his remaining work be destroyed, wishes that for the most part were complied with. It makes the sight of his illustrations that much more of a rare treat.

Friday, November 5, 2010

I'd rather be fishin'





Well, almost.

There is a part of me that really wishes there was a bigger market for outdoor sporting illustration. Often at points I've commented that I'm really a landscape painter, trying to find commercial applications for it. In the Golden Age of illustration, this wasn't as hard as it is today. Somewhere between a hunting ad and a western story—this type of work often had beautiful landscape, rugged figures, and half of the time some sort of wildlife. Good painting material, as far as I'm concerned. A Golden Age illustrator also drawn to this kind of material, was Oliver Kemp (1887-1934)
This Brandywine alum had a strong personal interest in hunting, camping, fishing, and general outdoor survival. Kemp rose to the rank of major in WWI, and once survived a shipwreck for five days without food or water. He wrote about his interests and painted for a variety of clients, including Scribner's, The Saturday Evening Post, and Outing Magazine. I was not familiar with his work, but while digging through a century old edition of Scribner's, I came across these four stunning color plates, for an article entitled "Days a Fishing" (the article also had a couple of line pieces by Franklin Booth!) The four plates illustrate ideal environments for four separate species of fish— trout, bass, musky, and salmon. Makes me long for the season. Luckily the painting season goes all year long.

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I'm off to Illuxcon this week. I don't do too many convention appearances anymore, But this one is not just a convention, it's a workshop and a conference for illustrators—The best in the fantasy market, all the guests at the other shows, all here together. Looking forward to it. My presentation on The Influence of Golden Age Illustration on Fantasy Art Today, is certainly related to what I do here on VIEW, and the books I produce with Dover Publications.