Showing posts with label Waterhouse. Show all posts
Showing posts with label Waterhouse. Show all posts

Sunday, October 18, 2009

Before the books and their illustrators, there were these folks-





In the late Victorian age, when printing technology had yet to catch up with the wild imaginations of an incredible group of creatives, there was a lot of great narrative painting going on. Pre-Raphaelites and Symbolists, some being influenced by impressionists, some sticking with great painting traditions. Realist painters colliding with mythical subjects. Throw in some Art Nouveau influence, and we have some very interesting imagery.

Some of them, like Walter Crane (1845-1915) and Frederick Sandys (1829-1904), would manage to defy convention, and flourish in both the gallery world and in the commercial goings-on in early illustrated books. Most professors will tell you this isn't a possibility today. Regardless of opinion, they pulled it off pretty well then.

Over a year ago I began the selection process for the images that would result in this book, and though it went through a great deal of transformation since then, it is a terrific group of images that seldom get a moment to shine in most art collections.

It's not all (strictly) Victorian, but what's not is rooted in what started there. It's not all fantasy, there is some Mythology and some romantic history as well. All of it is very influential material that would shape the imagery produced in the Golden Age of illustration.

Top to bottom-
Edmund Blair Leighton, The Accolade, 1901

Evelyn De Morgan, Earthbound, 1897

John William Waterhouse, Ulysses and the Sirens, 1891—maybe my favorite depiction of this story, the ship and the treatment of the Harpies are fantastic.

George Frederic Watts, The Angel of Death, c. 1870s. Watts is a dreamer's painter, and in my book should get a lot more attention.
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Also- Coming up next month is a convention in Altoona, PA, by the name of Illuxcon. This show is for fantasy illustrators and fans of that material. It's a professional level show, and I imagine a few of the folks who look over this site might be there. If you're going, let me know, I'll see you there!

Monday, August 3, 2009

Mermaids and Other Inhabitants of the Deep






2009, Dover Publications. Here is my latest collection on a theme, due out any day now—
There is an incredibly sensual draw that compels one towards mer-imagery. Take the things that modern psychology would say about water visuals, compound that with beckoning forms of scantily-clad maidens, and you have the major ingredients to lure many viewers into a painting....
The components lend themselves well to the tastes of the visual artist—The seascape is one of the most practiced and best-sold landscape subjects, while the nude-form is champion on many artistic levels. At some point in their career, almost every Golden-Age artist has done a mermaid. John William Waterhouse did a few, and he did some of the best-known and most revered. Howard Pyle's last (and unfinished) major work—sitting on the easel at the time of his death, was his mermaid. H.J. Ford, Rackham and Dulac did many of them, both color and line.

For quite some time I considered a collection of this material too narrow to attain, even though interest in the subject is great. Then I started collecting work for Andersen's Fairy Tales for an unrelated project. I began to find that almost every artist who would do Andersen's Tales, had a field day imagining "The Little Mermaid". I looked into tales like Undine, Peter Pan, and Midsummer Night's Dream, and uncovered more and more mer-imagery. I had some solid images that anchored the project tucked to the side, and marked up whatever I could find to be scanned. With a big hand from Christina at Dover, the layout came together, and I'm very pleased with the book. And then I found those images I had tucked away. Oh well... , that happens sometimes.

Top to bottom are some choice ones-

H. J. Ford from the Orange Fairy Book
Herbert Cole's Sphynx-like Mercreature
A rare Kelpie Illustration from Warwick Goble
A beautiful group of scales and tails by Walter Crane

Back soon—and good luck to all heading out to Gen Con (Gaming Convention) in Indianapolis in the next week or so. Looking forward to your reports.

Jeff